
J'adore le KSM8. Il produit un son extrêmement doux et chaud et ne nécessite presque pas d'égalisation.
Le microphone voix dynamique cardioïde dualdyne KSM8 est le premier microphone dynamique à double diaphragme spécialement conçu pour une reproduction de haut niveau des voix et un parfait contrôle en sonorisation. La capsule brevetée Dualdyne élimine pratiquement tout effet de proximité, asure la maitrise de la réjection hors axe et du larsen, et délivre un son d'une grande clareté.
The KSM8 is a very full-throated mic. It captures all the warmth and depth of Jennifer's vocal without losing the crispness of a lightly sung lyric, all the while maintaining its composure as she struts in front of the PA. The only feedback I’ve had isn’t from the mic – it’s from people talking about the mic!
The off-axis rejection is amazing. Low-frequency response is very smooth, and high-frequency response is noticeably enhanced. I definitely noticed nice proximity control, too. It’s an exceptionally well-designed microphone by Shure.
The first thing I noticed about the KSM8 was how nice it looked; however, its good looks were very soon eclipsed by how great it sounded. The highs sounded silky and transparent with an equally impressive and very tight low-end response. Proximity effect is greatly reduced, leading me to bypass my compressor for the entire show. This is an excellent microphone and will be my first choice in vocal mic selection going forward.
The KSM8 is a phenomenal mic for IEMs. It’s the only mic I can use with in-ears that sounds natural in the low end. It’s crazy how little processing and EQ it needs. The off-axis bleed is so clean that it immediately cleared up my in-ear mix.
Warm and natural! I barely used any EQ or processing, which is every engineer’s dream! I think you have a real winner here. The KSM8’s versatility sets it apart.
The KSM8 is stellar. I can say unequivocally that the KSM8 surpasses every other dynamic vocal mic I’ve tried. The polar pattern, proximity control, and flat top-end response give this mic a very wide and deep sweet spot that’s perfect for corporate events.
Al’s mic technique is as varied as his vocal stylings, which range from beatboxing and vocal percussion to quiet whispers. The KSM8 excels across the board at both FOH and monitors, which is rare. This mic makes mixing the band’s IEMs, monitors, and FOH much easier. It brings high-end clarity naturally, without the need for additional processing and EQ.
I used the wireless KSM8 for a corporate gig, and I love the off-axis response! The CEO got far away and off axis with minimal audible change. It was stable even in a very odd PA design. The working distance is huge on this mic and made my job so much easier!
The KSM8 capsule is a life-changer in monitor world, especially for in-ears. When Jennifer is moving between the PA, side fills, and the live band, and the audience starts screaming, the KSM8 gives me the clarity and control I need so that her vocal easily cuts through it all without bleeding.
Le KSM8 redéfinit la technologie du microphone dynamique à destination des meilleurs chanteurs et ingénieurs du son. Il élimine pratiquement tout effet de proximité, offre une précision vocale inégalée avec un minimum d'égalisation et de traitement et a été conçu pour une utilisation sur des systèmes de sonirisation complexes et de grandes dimensions. Fournissant une reproduction des voix d'un pureté absolue, le KSM8 se destine aussi bien au studio, à la scène qu'aux plateaux de télévision.
Le KSM8 possède une large plage d'utilisation grâce à la conception de sa capsule Dualdyne et sa capacité à contrôle l'effet de proximité. De plus, sa réponse en fréquence neutre dans le spectre médium/aigu permet un usage réduit de traitements externes, offrant ainsi un son naturel et cohérent, indépendamment du placement et de la technique d'utilisation du micro par l'artiste.
La capsule Unidyne III est constituée d'un simple diaphragme avec une suspension pneumatique. La technologie de pointe de la capsule Dualdyne vient de l'ajout d'un second diaphragme. Outre le diaphragme actif, un second diaphragme passif a été intégré, faisant partie intégrante du réseau acoustique de la capsule, et assurant une maitrise jamais atteinte de l'effet de proximité.
Quantité | Nom de l'accessoire |
---|---|
1 | Carrying Pouch for KSM8 Accessoire AK8C |
1 | Stand Adapter Accessoire A25E |